
Get Unfucked – The Bates
Glitterhouse Records has announced the release of the iconic ‘Unfucked – Live’ album by Punkrock legends The Bates! Limited to 500 copies on red Vinyl with a release date on December 4th, 2020, it will be the first Bates album available on Vinyl since 1992.
For over a decade, The Bates were Germanyâs best and with over a million records sold, most successful Punkband besides Die Toten Hosen. They toured all over Europe and Japan with acts such as The Toydolls. They sold more than 1 million records and stormed the charts but paid tribute to fame and RockânâRoll, culminating in the death of singer/bassist Zimbl at the age of 41 because of drugs and alcohol abuse. This live album from 1992 shows them at the height of their powers: Raw, wild, a class of their own!
It all started in the mid-80ies in Eschwege, Germany. Four boys and their love for Punkrock accompanied by talent and diligence. Soon after they found their charistmatic frontman Zimbl, The Bates started touring locally, and playing youth centres and smaller clubs. It wouldn’t take long until they reached out for the rest of the country and ’til they signed their first major contract with Virgin (who also released “Never Mind The Bollocks “) and became a huge success.The Bates always were a band that stayed real. Of course they did all of this MTV and VIVA party stuff and Zimbl even got pictured in Bravo’s ‘Foto-Lovestory’ alongside German popstar BlĂŒmchen, but they stuck to their roots. They sung about love, desire and party. They never were a political band, it was all about having a good time. Proof to this is the stunning live album entitled ‘Unfucked’ from 1992. The 4-piece was a very powerful act to experience live, headed by their charismatic frontman Zimbl. ‘Unfucked – Live’ was originally released by Snoop Records in 1993. It was the band’s last album before they signed with Virgin. Surprisingly it never got re-released, what Glitterhouse will finally change by the end of this year. As it’s a timeless piece of live music and the 100 % proof why The Bates became that big: Because they were a stunning live act!
‘Unfucked – Live’ was recorded in 1992 at the Outpost Club in Göttingen, Germany, and was mastered by Pauler Acoustics. Master & Servant remastered the files for the upcoming re-release, finally available digital and on Vinyl for the first time ever on December 4th via Glitterhouse Records!

The pre-sale for this must-have live album by one of Germanyâs most influential and iconic punkrock bands, is now available at THIS LOCATION!
‘Unfucked – Live’ Tracklist:
01. EinfĂŒhrung
02. Good Friends
03. No More
04. Beautiful Noise
05. Whoâs That Girl
06. Questionmark
07. Itâs My Party
08. Der Einsame
09. I Want You Back Again
10. Kill That Girl
11. Yesterday
12. Runaway
13. Stuff
14. Song For Michael
15. Eagle Man
16. Witches
17. I Donât Care
18. Bring It On Home To Me
19. The Lips Of Jayne Mansfield
20. Paul Ist Tot

The story of The Bates continues until 2001. After years of drugs and alcohol abuse of singer Zimbl, the band took a break from which they never returned. Zimbl (Markus Zimmer) died in 2006. He only got to 41 years old. Armin (Beck) works as a minister, Klube (Frank Klubescheid) is a social worker specialized in helping disabled persons live rich and fulfilling lives, Reb (Michael Rebbig) is a teacher and Pogo (Thomas Möller) works – since he left The Bates in 1998 â for Hamburg based soccer club FC St.Pauli.
The Bates ‘Unfucked â Live‘ Line-Up:
Zimbl â Bass, Vocals
Klube â Drums
Reb â Guitar, Backing Vocals
Pogo â Guitar
For More Info Visit:
www.glitterhouse.com

Digging In The Barrel – tiny deaths
tiny deaths is a Los Angeles, CA based project making moody, dreamy pop. Listening to tiny deaths is like taking a nostalgic trip down memory lane, reminiscing on those hazy memories of warm summer evenings. Like etchings in an old scrapbook, unfiltered hues and muted tones exude a fondness and familiarity, allowing you to see the beauty in all things.
tiny deaths is the moniker of singer/songwriter Claire de Lune. Teaming up with producer Grant Cutler, the music is an exploration of the middle ground between de Lune’s background in R&B and Cutler’s experience in the world of experimental music and high-art sound installations.
In tiny deaths, bass, lush soundscapes and rich, soulful vocals unite to form a wholly alive and fresh take on the dream-pop genre, bringing to mind bands like Phantogram, Beach House, and Purity Ring. Known for penning breakup songs, de Luneâs music often touches on pain – whether itâs heartache, growing pains, nostalgia or bittersweetness, the songwriter creates thematically darker songs, but delivers them through an ethereal and celestial lens.Â
Unveiling “The Jump”, the track examines the question âdoes fame attract rotten people or does the fame itself rot them?â A recurring thought which de Lune has been stuck with, she delves deeper into this notion, reflecting on the negative side of life in the limelight. De Lune reveals, âThere’s also a Shania Twain easter egg in there for fun, for anyone paying close enough attention.â The minimalistic song packs a punch through echoing instrumentation, delicate vocals and scintillating synths, emitting a cinematic atmosphere.Â

tiny deaths has seen success receiving numerous notable syncs including Atypical (Netflix series), MTV, ABC and most recently with a placement in the video game Tell Me Why. She has also been featured in publications such as Billboard, Stereogum, The Guardian, Bust Magazine and Bitch Magazine. Having performed alongside acts like Sleigh Bells, Glass Animals, How to Dress Well, tiny deaths is an unstoppable force that youâll be hearing a lot more from. âThe Jumpâ is currently available worldwide via Las Vegas-based indie Handwritten Records, the third single from the EP If Iâm Dreaming, to follow on November 13th.
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