What used to appear to be a crossroad in their musical development has now merged into one breath-taking sound. The combined force of mastermind, multi-instrumentalist, clean and extreme vocalist as well as producer Markus “Schwadorf” Stock and classical singer Thomas Helm, who lends his amazing voice also to the Bayerische Staatsoper in  Munich, is painting a radiant sonic picture. It comes with the melancholic grounding of the sophomore album “Songs of Moors & Misty Fields” (1997), adds brushstrokes of the fairy-tale tempera colours of “Where at Night the Wood Grouse Plays” (1999), and also makes use of a few hues from the palette that DEAD CAN DANCE have infused with world music, which EMPYRIUM have already employed on “The Turn of the Tides” (2014). The crowning varnish is diligently crafted from rougher elements that reach all the way back to the Germans’ legendary debut ” A Wintersunset…” (1996). “We have found a new balance”, Markus Stock emphasises. “We have finally reconciled our vintage sound from the early days with the acoustic expression of the later EMPYRIUM.”

Staying true to the Romantic tradition, EMPYRIUM continue to take inspiration for their lyrical flights of fantasy from the local myths, ancient places, and natural wonders of the Rhön Mountains and their Lower Franconian homeland in the west of Germany. This strong connection to both artists’ personal roots is also mirrored in the cinematic expression of their songs that allows a glimpse into the deepest, most heartfelt places of the musicians’ souls.