16 year old viral teen sensation Havanna Winter, is a musical artist, actress, and influencer. In 2020 she gained worldwide attention after going viral on TikTok and currently has a fanbase of over 6 million followers across her social media platforms.
Her third single "Hollywood Forever" features a Golden Age of Hollywood-inspired video which is now streaming . The track was produced by leelee (Jackson Wang, Bebe Rexha, Noah Cyrus, Giveon) and co written by Havanna, Maya K (Bebe Rexha, Anitta, J Balvin), leelee, and Carlos Guevara (X Factor).
"Hollywood Forever" follows the release of the recent singles "Heaven To Me" and "rain rain go away" which were released this summer and featured on multiple international playlists, while generating over 850,000 streams on TikTok alone.
Of the track, Havanna says, "Hollywood Forever is a story about a girl who lives in her own little fantasy world, where she let fame go to her head, and completely lost contact with reality, it’s campy, and funny, and I love it so much!"
Philadelphia-based multi-instrumentalist and producer Body Meat (née Christopher Taylor) lends his Year Of The Orc track, “Ghost,” to the experimental rap group Injury Reserve for a lively remix—out now via Partisan.
The remix features new vocals from RiTchie and an erratic beat constructed of samples and programmed drums that are true to the style of both Body Meat and Injury Reserve, ultimately finding a hypnotic groove amidst chaos.
It’s an incredibly natural collaboration between two artists in lockstep. “My beautiful friends made a beautiful reimagining of a song that means a lot to me,” Taylor says.
The new track arrives just ahead of Body Meat’s EU/UK tour supporting Injury Reserve, as well as his first ever headlining show in London on Nov. 9th.
Body Meat – Tour Dates
31 OCT 2022 / UK / Brighton / Chalk &
01 NOV 2022 / UK / Bristol / Trinity &
02 NOV 2022 / UK / Manchester / Academy 3 &
03 NOV 2022 / UK / Edinburgh / Summerhall &
04 NOV 2022 / UK / Leeds / Belgrave Music Hall &
05 NOV 2022 / UK / Birmingham / Institute 2 &
07 NOV 2022 / IE / Dublin / Academy – Green Room &
09 NOV 2022 / UK / London / Pickle Factory ^
& Supporting Injury Reserve
^ Headline Show
As high school students in Chicago’s suburbs, David Schwantes and Dane Erbach spent the bulk of their gym class brainstorming fake bands with their friends in an attempt to avoid whatever physical despair their PE teachers had in store for them that day. These bands—which included a death metal band called Throbbing Reaper and a ‘80s hair metal rockers Live Wire—never truly coalesced outside of their imaginations despite complete lineups and exhaustive discographies.
The idea of a “skath” band didn’t occur to Schwantes and Erbach until fifteen years later, but it stems from the same strange place: What would a goth ska band sound like, one combined the Misfits’s aesthetic with Reel Big Fish’s goofball schtick? The idea died quickly, another quirky idea that could have fun if there were enough hours in the day .
The band says, “With “Wake the Dead” we wanted a big, menacing sound, worthy of the Lovecraftian horror that inspired it, to balance out the fun, bouncy horn parts that we love to write. We had a great time working to get the vibe just right for this monstrous love letter to coffee.”
Neither Schwantes nor Erbach were strangers to ska and punk music—both were in a ska band in college and worked together on an online database for midwest ska bands in the early 2000s. Both also played pop-punk together until Erbach turned toward other creative endeavors and Schwantes moved to San Francisco. That’s when the whole skath idea crawled out of its tomb and stumbled zombie-like back into their imaginations. Schwantes started writing songs while Erbach put together a team of family and friends to fill in vocals, horns, and organs. They sent recordings and ideas back and forth halfway across the continental United States, intent on seeing this idea through.
Thus, Grave Danger was born. Full of eerie organs and thick horns, their 2018 debut Let ‘er RIP! fulfilled their initial vision with surprising ease. A year later, the band finished Tomb It May Concern, their more realized five-song follow-up. And this fall, they will release “Wake the Dead,” the second of two long-awaited singles following last year’s “Spector Inspector.” With its driving beat and call and response horns, “Wake the Dead” is a song about the amount of coffee required to raise a Lovecraftian beast from its comfy bed that both blue collar and white collar monsters will relate to. The songs features everything a good skath song should: a wagging bassline, swaggering horns, and just enough organs synths make the song spooky, not cheesy (or, well, maybe just cheesy enough). Singer Chris Marcanti’s gruff, soulful singing conjures a Ckthulu-like protagonist to life with promises of caffeine—but will it be enough?
It might be easy to write Grave Danger off as a novelty because, well, maybe it is. But it’s also a daydream realized—or possibly a nightmare. It’s what would happen is Bobby “Boris” Pickett and his Crypt Kickers were still alive and listened to the BossTones: fun and furious music intended to make listeners laugh and dance. Most importantly, Grave Danger is a passion project created by dads and moms, aunts and uncles, software engineers and IT professionals and nurses, managers and entrepreneurs and CPAs, grown-ups who work for nonprofits and public schools—regular people who, every once in a while, want to don corpse paint, pick up their instruments, shake off some dust, and blow the audience away
Cultus Black is a hybrid nu-metal/Deathcore project featuring members of other well-known acts in the national metal scene.
This particular outing was co-produced by multiple gold record producer James Paul Wisner who is most well-known for his work with Underoath. This track was written in the middle of a global lock down, when riots were starting to become a norm and it shows in the song’s content.
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Jonah adds,"'graveyard shift' came out of one of the wildest days of my life. The song didn’t come until I truly let go—I stopped trying to write a song and just let the world show me what it wanted to, and an incredibly special story appeared. I really think you can feel the sentiment of 'letting go' in the song, and I hope you love it as much as I do."
“graveyard shift” follows “hill that I’ll die on,” “Barcelona,” “ Turbulence,” and “Drowning,” the latter of which was released during Jonah’s month-long tour of the U.S. as the support for Maisie Peters.
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22-year-old Jonah Kagen grew up in Savannah, Georgia and took up guitar at the age of six, diving deep into the instrument’s technical aspects after his jazz musician grandfather showed him performance videos. He further found inspiration in the music of guitarist Andy McKee, whose finger-style technique lit a creative fire within. “He opened my eyes to what an acoustic guitar could be,” he recalls, as he dove deeper into creating music on his own. “If you can bring somebody something with your music that they can’t get anywhere else, there’s nothing better than that.”
While attending college, his sister encouraged him to post his music on social media and he garnered early success as a TikTok sensation with the release of his debut single “Broken.” An exciting new voice bringing an undeniable energy and sincerity through his multifaceted sound, Jonah has already cut impressive figures with over 100 million global streams across his catalog.