August 2023 – Page 3 – 1st 3 MAGAZINE

Raisin Awareness Debuts New Single and Video “No More”.

Raisin Awareness’s new song “No More” powerfully personifies the artist’s ongoing battle with depression and anxiety, underscoring the persistent challenges encountered amidst their journey of personal growth.

Jo D, the band’s lead vocalist, and guitarist, says, “This song is my way of personifying my internal struggle with depression and anxiety. The lyrics, ‘As we converse with these voices inside of our heads, I just can’t believe all the things that I said to myself,’ depict the constant, often self-deprecating dialogue that occurs in my mind.

Followed then by the line, ‘it’s like Piccadilly Circus inside of my head,’ metaphorically illustrates the chaotic nature of my mental health battles. Much like London’s Piccadilly Circus’s bustling, overwhelming nature, my mind is constantly filled with noise, confusion, and turmoil brought on by anxiety and depression.

Despite the personal growth I’ve experienced, the response ‘No more, no more, do you care’ represents the relentless nature of anxiety and depression. Even as I evolve and grow stronger, these personified entities remain, constantly challenging my perception of self-improvement.

Further to that, the song’s dialogue between ‘Do you know me’ and ‘Do you care’ signifies the complex relationship between personal growth and mental health. It’s a testament to the fact that even as we make strides in understanding ourselves and growing, our mental health battles persist, sometimes making us question if any real progress has been made.”

Stream “No More” HERE.

Upcoming Shows:

27/8/2023 – The Fighting Cocks, Kingston, UK

14/9/2023 – Carved Dive, Bromley, UK

4/11/2023 – The Fighting Cocks, Kingston, UK

Instagram: www.instagram.com/raisinawarenesspals

Facebook: www.facebook.com/raisinawarenesspals

SODOMISERY – A Versatile Approach

23rd August 2023

Mainly Metal

We are living in troubled times and it is hardly surprising that this is reflected in any form of art including music.

On “Mazzaroth”, SODOMISERY have spun a dark lyrical yarn about mental illness in society, religion, and the struggle of the individual, which is running like a red thread through their sophomore full-length.

The Swedish melodic death four-piece are underlining their loosely conceptual approach with a remarkable musical evolution.

SODOMISERY are expanding their original sound that combines the power and precision of death metal with the frenzied and cold aggression of black metal, and they have now added a layer of dramatic depth by including keyboards. It is hardly surprising that the Swedes, who are counting DIMMU BORGIR, CRADLE OF FILTH, and CHILDREN OF BODOM among their major sources of influence, came to steer towards such a course.

The band from Stockholm did not take this decision lightly. When all the new tracks were written and pre-produced, SODOMISERY decided to create two versions of the album. One mix included keyboards and orchestration, while the other version had no such additions. After an extensive period of deliberation and many listening sessions, the Swedes decided that the new dimension and cinematic feeling added by the keyboards was exactly what their songs needed.

Tracklist
1. Coming Home
2. Psychogenic
3. Delusion
4. A Storm Without a Wind
5. Master of Your Mind
6. Mazzaroth
7. Rebuilding
8. Demon in Heaven
9. Ephemeral Requiem

Line-up
Harris Sopovic – vocals, guitar
Teddy Möller – guitar, choir vocals on ‘Demon in Heaven’
Viktor Eklund – drums
Paul Viscolit – bass

Guest musicians
Niklas Sandin (KATATONIA, LIK) – choir vocals on ‘Demon in Heaven’

The speed with which SODOMISERY expand and mature their sonic nature is breathtaking, particularly since the band was born out of a studio project originally envisioned by Stockholm based guitarist Harris Sopovic in 2015, who enlisted the help of NETHERBIRD frontman Johan Fridell, bass player Niklas Sandin (KATATONIA, LIK) and drummer Pär Johansson, who is best known for his work with CRAFT and DIABOLICAL This resulted in the eponymous 3-track EP “Sodomisery”, which was digitally released in 2017.

When the EP was heaped with massive praise, Sopovic recruited new members and decided to continue the band under the name SODOMISERY. Their debut album “The Great Demise” (2020) can be viewed as a deliberate statement of intent, not to blindly follow in the giant but also somewhat worn out footprints of the legendary Stockholm death metal scene. Instead, these Swedish newcomers favoured a more melodic and versatile approach.

In the short time period from their inception to the forthcoming second album, SODOMISERY have progressed by leaps and bounds and “Mazzaroth” is the audible proof of this bold statement!

www.sodomisery.com

The Hangmen – The Real Junk

22nd August 2023

Music News

As musical trends come and go, The Hangmen have remained uncompromising since their formation in 1986.

From big money major label deals to debilitating drug addiction, lead singer Bryan Small has continued to charge forward with the headlong momentum of a runaway train.

Bridging the gap somewhere between The Gun Club and the Rolling Stones, the band’s latest offering, Stories To Tell smashes together Small’s lurid love songs with unsparing, unsentimental blasts that shine a penetrating light into the dark and seedy corners of life. From the melodic “Midnight Riders” to the haunting “On The Outside,” Small delivers an album with a simplicity and depth of songwriting reminiscent of Neil Young and Tom Petty.

“Midnight Riders is a rite of passage song. It’s the way my friends and I lived in our early days navigating life, being in bands and coping with everything as kids in Hollywood. We didn’t have boundaries. We didn’t have mentors. We were notoriously fucked up geniuses in our eyes. I’m not surprised by the path we took for ourselves – some made it, some moved home and some died.” Small himself recently relocated after 38 years in Los Angeles to his hometown of Missoula, Montana, so his kids could grow up around family.

“We recorded in different studios over the course of about a year and a half, which is the way some of my favorite albums were made,”reveals Small, “This is the first record since Mike Ness (Social Distortion) produced In The City that I’ve kinda let go of the production and mixing to get a different view of these songs.”

STREAM THE LATEST SINGLE “MIDNIGHT RIDERS”

Apple

YouTube

Longtime Hangmen fan Rob Schnapf (Elliot Smith, Beck, X) also stepped in to produce two tracks on Stories: “On The Outside” and “Last Time I Saw You,” a tribute to “Rontrose” Heathman, the former Hangmen and Supersuckers guitar player who passed away in 2020.

Stories To Tell also includes a raucous cover of Credence Clearwater Revival’s “Sinister Purpose.” “CCR has always been a part of The Hangmen’s DNA to some extent. It was a bit of an overlooked song that spoke to us. Jimmy James (guitarist) brought it to the band and it was a natural fit.”

Stories To Tell will be released September 8, 2023 on Acetate Records. A month-long European tour commences September 13 in Paris.

‘STORIES TO TELL’ TRACK LISTING

1. Broken Heartland

2. Midnight Riders

3. Last Time I Saw You

4. On The Outside

5. Sinister Purpose

6. Bayou Moon

7. Behind The Wheel

8. Stories To Tell

9. Hard Luck Jim

10. Runnin’ Kind

THE HANGMEN EUROPEAN TOUR 2023

13/09 WED PARIS, FR @ LA DAME DE CANTON

14/09 THU RENNES, FR @ LE NOKTAMBÜL

15/09 FRI St. GUILLES CROIX VIE FRI, FR @ ROCK THE SEA

16/09 SAT PERIGUEUX, FR @ LE MOULIN DU ROUSSEAU

17/09 SUN ZARAGOZA, SP @ SALA Z

19/09 TUE LIERGANES, SP @ LOS PICOS

20/09 WED A CORUÑA, SP @ MARDI GRAS

21/09 THU MADRID, SP @ CLAMORES

22/09 FRI BURGOS, SP @ AMB

23/09 SAT BILBAO, SP @ KAFE ANTZOKIA

24/09 SUN TOLEDO, SP @ PÍCARO

26/09 TUE GRANADA, SP @ LEMON ROCK

27/09 WED BENIDORM, SP @ ROCKSTAR

28/09 THU VALENCIA, SP @ LOCO CLUB

29/09 FRI BARCELONA, SP @ SIDECAR

30/09 SAT MONTPELLIER FR @ SECRET PLACE

01/10 SUN COMO, IT @ JOSHUA BLUES CLUB

03/10 TUE ZAGRED, HR @ HARD PLACE

04/10 WED BELGRADE, RS @ KC GRAD

05/10 THU PRAGUE, CZ @ VAGON

06/10 FRI BERLIN, DE @ WILD AT HEART

11/10 WED HAMBURGH, DE @ APOLLO CLUB

12/10 THU KOLN, DE @ SONIC BALLROOM

14/10 SAT MESSANCY, BE @ BACK TO THE PIPELINE

Blake Shelton and Gwen Stefani – Love Is Alive

22nd August 2023

Country News

Multi-award-winning artists Blake Shelton and Gwen Stefani release their rendition of The Judds’ iconic ballad ‘Love Is Alive’.

The track serves as the first single off of A Tribute to The Judds, the highly anticipated compilation record in celebration of the beloved duo’s 40th anniversary, to be released on October 27th on BMG.

Nearly 40 years since its original release on the best-selling album Why Not Me, and reproduced by Brent Maher, ‘Love Is Alive’ seamlessly intertwines the timeless production of the original track coupled with the soulful vocals of Shelton and Stefani. Mastering the combination of Pop and Country, the track infuses both artists’ signature sound while paying homage to the original song. You can listen to ‘Love Is Alive’ HERE.

“I have always admired The Judds and I am so thrilled to be part of this album,” said Gwen Stefani. “’Love Is Alive’ is an iconic track and performing the song with Blake is a perfect way to honor their timeless discography.”

“The Judds are one of the greatest country acts of our lifetime. 80’s country music is my favorite decade, and I’ve been singing Judd songs for as long as I can remember,” said Blake Shelton. “‘Love Is Alive’ was on their first album, and we wanted to stick pretty close to the original version and Gwen just nails the vocal. We’re thrilled to be part of this tribute album.”

“What a treat it was to re-record this wonderful song written by Kent Robbins. All I can say about Gwen’s vocal is, it’s perfect, and Blake’s harmony parts are wonderful. I absolutely love how this recording turned out,” said Brent Maher. “I think we captured the original essence of the song with Don Potters acoustic part and Eddie Bayers groove. Richard Bennett’s Electric guitar and Bobby Ogdin’s Keyboards gave this track the fresh vibe we wanted. Glen Worf’s bass part sealed the deal.”

A Tribute to The Judds brings together the music industry’s biggest power players across genres revering the original music of The Judds into a powerful homage of their discography.

http://www.BlakeShelton.com

https://www.facebook.com/gwenstefani/

Striking Matches – A Sweet Blend

22nd August 2023

Country News, Music News

Live favourites Striking Matches are back with an intimate one-off headline show at London’s Bush Hall on Tuesday 5^th September, their first UK date in over four years. The show will also see the duo premier brand-new tracks.

The musical partnership of Striking Matches Sarah Zimmermann and Justin Davis began in 2007. They sweetly blend the roots of country, the realness of blues and the rawness of rock music to create their original signature sound, their self-branded style “blues-pop.”

Following the international success of Striking Matches’ debut album “Nothing But The Silence”, produced by T-Bone Burnett, and 9 songs on TV’s “Nashville”, Davis and Zimmermann proved to be the band that cannot be defined by old school music row boundaries.

With an impressive catalogue of releases including 2017’s “Shameless”, 2018’s “Retrograde” and EPs “Morning”, “Noon” and “Night,” this brand-new Striking Matches live show will celebrate their incredible sound and showcase much anticipated new music.

STRIKING MATCHES
TUESDAY 5^TH SEPTEMBER
LONDON BUSH HALL

Tickets are on sale now via www.gigsandtours.com / www.ticketmaster.co.uk

American Television – It’s A War Cry

21st August 2023

Music News

Hold onto your panties, rock rats! Dirty Dog’s slipped in with a fresh dose of chaotic goodness for ya.

Living in the spit-and-glare of D.C. ain’t all monuments and stuffed suits. Nah, the city’s underbelly has a throbbing pulse, and trust me, it ain’t patriotic.

Enter American Television: the kinda band that chews up all that political bullshit and spews out neon-lit chaos. Think of them as the city’s answer to sleepless nights, burning rage, personal shitstorms, and that odd glint of “maybe tomorrow won’t suck as much.”

Their latest racket, “Scars”? It’s the badass sequel to 2020’s underground rebel yell “Watch It Burn”. It’s like mainlining cynicism with a chaser of pop-punk ecstasy – the kind of combo that makes you wanna laugh, scream, and dance all at once.

And for those living under a rock, thinking “American who-now?” – pull your head outta your arse, will ya? These old buggers have been thrashing around for yonks, sharing beer spills and stage dives with the big guns like Spanish Love Songs, Iron Chic, and a whole slew of others.

In short? American Television’s sound is like a bar fight with a jukebox – it’s messy, loud, in your face, and filled with surprises. “Scars” ain’t just another punk album; it’s a war cry with a killer soundtrack. So get ready to get down, get dirty, and get a hefty dose of reality, courtesy of the D.C. rebels. Light the fuse, kids. The explosion’s gonna be epic.

Bandcamp | Facebook | Instagram | Spotify

Alien Gothic – A Rich and Varied Journey

21st August 2023

Music News

Denver-based artist Alien Gothic presents their debut album ‘High and Dry’, following the lead singles ‘Shine The Lights’ and ‘In The Night’, which portrays these darklings on an existential quest.

With 17 tracks on offer, the hour-long album is released via Colorado imprint Latenight Weeknight Records.

Conjuring up music that can be described as gloom from other worlds, the duo – made up of Ryan Policky of A Shoreline Dream and Andy Uhrmacher of Genessier – has been trying to find their way back to the original trajectory they were on previous to crash landing. Stretching cosmic goth music into a whole new realm, the Denver-based duo combines all the elements they have been striving to integrate into the project over the four years since they decided to launch this project.

Recorded from 2020-2023, Alien Gothic takes a journey out of a world gone mad, to spread a sound that is immersive and rich with varied instrumentation.

“It’s something we knew would destroy the seedy, cobweb filled dance clubs of the past, bringing forth a new era of goth… alien goth!” says Ryan Policky.

Alien Gothic creates deep gothic electronica, fused with spatial goth autoharp symphonies, deep mellotron overtures mixed with noises from unknown origins on the vast hour-long debut. Themes and words recall events that the duo have had from the far reaches of the beyond. With deep beats, lush goth rock entwines with psych and shoegaze layers to create cosmic, pulsating melodies.

Soundscaping goth is what these artists have become known for elsewhere along the milky way, their spectrums now hitting earth to bring forth a dreary alien orchestra, lost deep in a dark forest beyond the normal stretches of human imagination.

As of August 18, ‘High and Dry’ album is available from fine music platforms, including Apple Music, Spotify and Bandcamp.

TRACK LIST
1 A Star is Death 02:24
2 In the Night 04:00
3 The Actual Ending 04:34
4 Interpretive 03:25
5 A Drone of Her Celebration 03:34
6 Drowning in a Dark Cavern 03:18
7 Shine the Lights 02:58
8 The Last Battle 04:06
9 Carl 03:50
10 Rat in the System 04:28
11 In the Middle of Breath 03:43
12 Alien Dance Club 02:46
13 Fall From Me 03:11
14 Alien Warfare 03:03
15 The Olde Town 03:43
16 Wormhole 06:30
17 Church of the Empty 03:00

Randall King – Baritone Trailblazer

21st August 2023

Country News

Hereford, Texas native Randall King brings his Billboard-praised “sturdy baritone” to the forefront alongside a healthy dose of hubris and equal parts vulnerability on latest double-shot delivery: ‘The One You’re Waiting On‘ and ‘Hard To Be Humble‘.

The son of a working man, King was raised on the influences of country music greats Alan Jackson, George Strait, Keith Whitley and more; his neo-traditional style a byproduct of living life the way he often heard reflected in their lyrics. It was this same authenticity that rang out when King first heard ‘The One You’re Waiting On’ and was instantly drawn to the longing, reflective track.

“The first time I heard this song, I had it playing in my truck and was just blown away, pretty sure I missed a turn,” King laughs. “The song is just incredible. I have sung along to it so many times runnin’ down the highway. I have always loved it and you can hear my passion for this song reflected in my vocals. I’m beyond excited to have this one out there.”

On the other hand, where ‘The One You’re Waiting On’ hangs on King’s ability to project the anguish of love slipping away, ‘Hard To Be Humble’, also out today, balances as an upbeat, cheeky brag. With his head held high, King sings:

No I can’t help talk about you

Walk a little taller in my old boots

Never liked showing off what I got

But look at you baby, how could I not

Ain’t anybody else that I wanna be

When every guy in here wants to be me

Walking in with you on my arm

Lovin’ you’s easy, but girl it’s so hard

To be humble

“We were pitched ‘Hard To Be Humble’ by my buddy Jake Gear (Hailey Whitters’ producer), and the email had gotten lost in the mess of what my inbox is. Two days before we went in to cut I just happened to be going back through my old emails and found this song sittin’ there, put it on, and went ‘Whoa… how was this song missed?!’ We cut this catchy fun love song and boy I got to tell ya, I’m sure glad I double checked my Gmail that day!”

As he continues to tease new music, King is set to kick off “KingFest” at the Nashville Palace tonight for the first of two back-to-back shows in Music City. The two-day branded festival event features support from Tyler Booth, Braxton Keith, Drake Milligan and Jon Stork.

Already known for his road warrior diet of over 150 dates each year touring across the United States, King continues his trek internationally next month with 11 European tour stops. With five of the shows already sold-out, the overseas dates have been met with fan enthusiasm, leading King to set his sights on larger venues to meet the demand. Once he returns from the European run, King will join as direct support on select dates of Jon Pardi’s Mr. Saturday Night World Tour.

For upcoming tour dates and more information, visit RandallKingMusic.com or follow @RandallKingBand across all social platforms.

Randall King UK/EU 2023 Tour Dates:

Sept. 8 – Gstaad, Switzerland – Festivalzelt

Sept. 9 – Gstaad, Switzerland – Festivalzelt

Sept. 11 – Glasgow, UK – Oran Mor

Sept. 12 – Manchester, UK – The Deaf Institute (SOLD OUT)

Sept. 13 – London, UK – Bush Hall

Sept. 15 – Cologne, Germany – Club Volta (UPGRADED due to demand)

Sept. 17 – Hamburg, Germany – Bahnhof Pauli (UPGRADED due to demand)

Sept. 18 – Berlin, Germany – Kesselhaus (UPGRADED due to demand)

Sept. 19 – Stuttgart – Im Wizemann (DATE ADDED due to demand)

Sept. 21 – Vaduz, Liechtenstein – Rheinparkstadion

Sept. 23 – Vaduz, Liechtenstein – Rheinparkstadion

Mindlag Project – Incoming…….

21st August 2023

Mainly Metal

French conceptual metal band Mindlag Project released new single “Shrapnel”.

3 months after sharing the song “Exophronicon” with its official music video, French long-time conceptual metal band (formed in 1999) Mindlag Project just officially released a new digital single called “Shrapnel” on all legal streaming services.

In other news, the band is currently working on a new full-length album to be released in the upcoming months.

Official statement…. “This track “Shrapnel” is a song inspired by the personal history of the ancestors of several members of the band, who participated in both world wars.

It evokes the cynicism of martial strategies, with the invention of the shrapnel shell, the purpose of which was to “break” soldiers rather than kill them, because it would cost the opposing camp more to take charge of a wounded rather than a dead one. A voucher soldier is a useful soldier, in all circumstances…”

https://www.facebook.com/MindlagProject/

Cambridge Folk Festival 2023 (Review) – An Odyssey of Timeless Tunes and Unearthed Treasures

20th August 2023

Music Reviews

As the sun settled in its rightful place over the picturesque landscape, the festival grounds of Cambridge hummed with anticipation, pulsating with the haunting echoes of the hurdy gurdy.

At first glance, the 2023 line-up had us raising an eyebrow, but any reservations swiftly evaporated. CFF 2023 didn’t just meet expectations; it shattered them, delivering an exhilarating experience that lived up to its storied legacy.

Although the mandolin had seemingly taken a backstage this year, the sonorous rhythms of banjos and double basses unmistakably filled the void, painting a vivid auditory canvas for the eager attendees.

The legendary Stage 1, revered as the ‘Royal Court of Folk’, lived up to its esteemed reputation, emerging as a grand tapestry of both time-honoured legends and budding maestros. Sharon Shannon spun her musical web with dexterity, leaving the audience spellbound with her infectious charisma and precision. Each tune she played was a narrative, immersing the audience into tales both old and new.

Sharon Shannon

Judy Collins, the luminary with a voice that has, for decades, captured the essence of folk, graced the stage with the same magnetism that has made her a living legend. Her crystalline voice conjured poignant moments from her iconic Wildflowers era, transporting listeners on a journey through time. The audience, drawn into her spell, felt the memories and stories behind each song. Songs that have stood the test of time, reflecting societal shifts, personal introspections, and the eternal human condition. The sheer emotion in her performance was palpable, with many in the audience glistening with tears, deeply moved by the authenticity and depth she brought to the stage. In a festival rich with talent, Collins reaffirmed her status as one of the unparallelled voices of her generation.

Judy Collins

Fisherman’s Friends, with their robust harmonies, charted a refreshing voyage into maritime life. Their set was like a gust of salty ocean breeze, both invigorating and nostalgic. Meanwhile, The Proclaimers, Scottish legends in their own right, raised the festival’s energy manifold with their anthemic tunes that resonated far and wide.

Fisherman's Friends

The Proclaimers

The festival wasn’t just a homage to the traditional; it was a celebration of evolution. The winners of the Christian Raphael Prize 2022, Angeline Morrison and the Sorrow Songs Band‘s performance was a revelation, seamlessly blending tales of Black British history into the folk genre.

Angeline Morrison and the Sorrow Songs Band

A jesting remark from her guitarist about her developing a 'vodka problem' during lockdown lightened the mood."

South Yorkshire’s pride, Kate Rusby, glided onto the stage, her presence a testament to over two decades of dedication to the British folk genre. Opening her set with a cheeky remark to her band, she exclaimed, ‘Ready boys, fasten your seatbelts!’ This playful warning was apt. What followed was a masterclass in storytelling and songcraft that only Rusby could deliver.

Endearingly referred to as the ‘songbird’ by many, Rusby’s enchanting voice has solidified her status as an unmissable gem in the British folk crown. Her gift lies not just in her pristine vocals but in her ability to make ancient folk tales feel not only relevant but urgent. After narrating a gripping tale of a woman who exacted poetic justice on a philandering would-be murderer, she playfully commented, ‘Folk music, isn’t it amazing? Isn’t it a bit of grrrl power?’

But it wasn’t just tales of yore that graced her set. Personal anecdotes, interwoven seamlessly with her songs, added layers of intimacy and authenticity. A jesting remark from her guitarist about her developing a ‘vodka problem’ during lockdown lightened the mood. Yet, true or not, it was clear as day that nothing had dimmed the clarity and tenderness of Rusby’s vocals.

Rusby effortlessly blended traditional ballads with her original compositions, delighting both purists and newcomers to the folk scene. Her Northern charm, combined with her penchant for making stories from bygone eras feel contemporary, created a spellbinding atmosphere. The audience was taken on a journey, one where time-worn traditions met modern-day sensibilities, all steered by the unmatched prowess of Kate Rusby.

Kate Rusby

The indelible link between protest and folk shone brightly in Grace Petrie’s compelling performance. A torchbearer of contemporary folk, Petrie’s fervent melodies echoed the spirit of rebellion. With unwavering commitment to her beliefs, she crafted narratives of change, resistance and hope, reminding attendees of folk music’s deep roots in social activism.

Grace Petrie

And then, cutting through the traditionalist chords of the festival, was Gangstagrass. Their audacious fusion of bluegrass and rap was a refreshing testament to the genre’s expansive boundaries. Born from the creative genius of producer Rench, Gangstagrass took the stage not just as musicians, but as emblematic representatives of cross-genre experimentation. Their sets were a bold reminder that music, at its core, is about connection and communication. By interweaving the rhythmic cadence of rap with the soulful twangs of bluegrass, they addressed social issues and shared struggles, creating an electrifying atmosphere that challenged the very definitions of folk. It wasn’t just a performance; it was a statement, echoing the ever-evolving nature of folk.

The global spirit of folk was vividly on display."

Gangstagrass

While many might remember Kiefer Sutherland best as the charismatic vampire David, this evening showcased a different beast entirely."

On Stage 2, The Folk Camps Party Band embodied the essence of community spirit. As their energetic chords filled the air, they became the sun summoning radiant smiles, compelling everyone from tiny tots to enthusiastic elders to their feet. The ground transformed into a sprawling dance floor, revelling in the infectious rhythms of their ceilidhs.

Nightfall brought with it new vigour, as Niteworks took command of the main stage. Melding the haunting strains of Scottish traditional music with modern electronic and ambient tones, they offered an enticing blend that left the audience both mesmerised and invigorated. Bagpipes met rave in a musical confluence that was both unexpected and exhilarating.

Niteworks

In 2022, the festival unfurled a rich tapestry of Welsh talent, spotlighting luminaries such as Vrï, Tapestri, Eve Goodman, The Honest Poet, N’famady Kouyaté, and the unparalleled guitarist, Gwenifer Raymond. Fast-forward to this year, and Welsh prodigies once again claimed the limelight, particularly during their dedicated showcase on Stage 3 on Saturday. The audience was enraptured by Lleuwen Steffan‘s mesmerizing guitar skills and the ethereal harp melodies paired with the angelic vocals of Cerys Hafana, marking them as undeniable highlights.

Cerys Hafana

Lleuwen Steffan

However, those in pursuit of a more eclectic blend were in for a treat. Sunday’s Stage 2 witnessed the masterful fusion of Welsh harpist Catrin Finch and the Colombian dynamism of Cimarrón. The audience was regaled with an audacious mix of men in fetish gear donning cowboy hats, enthusiastic maraca-shaking, a vocal powerhouse of a diva, and electrifying Latin-inspired tap dance sequences. It was a testament to the festival’s commitment to both tradition and thrilling innovation.

Catrin Finch

Catrin Finch and Cimarrón

For those still nursing the remnants of Saturday night, Oi Va Voi offered the perfect tonic. Their klezmer-infused tunes, both lively and soulful, invited everyone to dance away their woes. Zohara Niddam, the lead singer, was a revelation, displaying the strength and range of her voice. Refugee was the track that lingered, encapsulating the group’s essence.

Oi Va Voi

Bringing a touch of Canadian magic to the festival were the vivacious members of Le Vent du Nord. These French-Canadian maestros epitomized versatility, often juggling multiple instruments within a single song. The sweet strains of their hurdy-gurdy narrated tales of two decades of camaraderie, offering the audience a peek into the syrupy joie de vivre that binds them.

As the sun began to dip below the horizon on Sunday, reminiscent of a scene straight from Bram Stoker’s Dracula where darkness begets danger, Kiefer Sutherland took the stage. While many might remember him best as the charismatic vampire David, this evening showcased a different beast entirely. He played a mean guitar, echoing the heartbeats of bourbon-drenched Americana. Flanked by a long-haired lead guitarist, who looked as though he’d stepped straight out of a 1960s acid trip, the pair created riffs and runs that had the crowd stomping in unison. This was no mere novelty act, nor was it death by stereo. Instead, as the last vestiges of sunlight vanished, it was clear: initiation’s over, Kiefer, it’s time to join the folk club.

Kiefer Sutherland

One of the standout performances hailed from the heartland of Canada. William Prince showcased the very soul of the Canadian Prairies with every note he strummed and every word he crooned. A proud member of the Peguis First Nation in Manitoba, Prince’s music isn’t just about melody; it’s an exploration of identity, of the relationship between man and nature, and of the intricate web of experiences that define the indigenous communities of his homeland.

Drawing upon these rich traditions and his personal experiences, Prince crafts tales of love, longing and redemption. His deep baritone voice, dripping with sincerity, possesses an ethereal quality, capable of connecting even with those unfamiliar with his stories. There’s an unspoken beauty in his ballads, with each song becoming a portal transporting attendees to the vast expanses of the Canadian landscapes, making them feel the cold breeze, witness the endless horizons, and sense the deep-rooted histories of the First Nations.

His performance at Cambridge was about a shared experience between the artist and his audience, making every listener a participant in his heartfelt journey.

William Prince

Cambridge Folk Festival 2023, a symphony of shared experiences."

Rufus Wainwright‘s set was nothing short of an elegant dance between legacy and innovation. As the son of folk luminaries Loudon Wainwright III and Kate McGarrigle, Rufus has consistently demonstrated a unique ability to bridge the gap between the traditional and the contemporary. His velvety vocals and intricate piano compositions, were on full display. There’s a poignant theatricality in Rufus’s performances; it’s no surprise given his ventures into opera and his unabashed love for Judy Garland’s repertoire.

Rufus Wainwright

His set at Cambridge was a testament to his multifaceted artistry. It was more a journey through the ups and downs of his life, his love stories, and his ever-evolving relationship with music. While many came for the voice they knew and loved, they stayed for the emotions and stories that Rufus so beautifully infused into every note and lyric. Once again, the teary eyes in the audience, especially during his more sombre ballads, bore testament to the profound impact of his music.

Rufus Wainwright

There were plenty of fare for those who got bored of banjos and pipes. Although many may not consider them to be folk, some of the loudest applause of the weekend went to Arrested Development. People Everyday got the folkies, old and young, singing along and clammering for an encore. For fans of 1970s style bass driven blues rock, Ferris and Sylvester gave it some welly in the Stage 2 tent, with Issy Ferris’s breathy yet growly vocals blending with Archie Sylvester’s softer tones.

The global spirit of folk was vividly on display with artists who infused the festival with rich international flavors. Lady Blackbird, with her transcendent voice, tapped into the very soul of classic soul and jazz. Invoking the spirit of greats like Aretha Franklin and Nina Simone, her set was a glittering masterclass in emotive vocal delivery, punctuated by songs that moved between powerful crescendos and delicate, soulful whispers.

Lady Blackbird

Each song was a story – celebrating unity, love, and the rich tapestry of African culture."

Angélique Kidjo, on the other hand, was a whirlwind of energy, passion, and unparalleled vocal brilliance. Hailing from Benin, her Afrobeat-infused set showcased her deep roots in West African music traditions. Each song was a story – celebrating unity, love, and the rich tapestry of African culture. Her kinetic, occasionally gravity defying, dance sequences and vibrant rhythms ensured that not a single soul remained seated, making her set one of the unforgettable highlights of the festival.

Angélique Kidjo

Amidst the constellation of stars, Imelda May shone bright, epitomizing the festival’s emotional heart. Known for her sultry Dublin drawl, May has often been hailed as a genre chameleon, effortlessly transitioning from rockabilly to jazz. But in Cambridge, her tribute to Sinéad O’Connor was more than a mere performance – it evolved into a raw emotional journey. Each note was drenched in genuine sentiment, not just paying homage but revealing a deeply personal connection that resonated with every spectator.

Imelda May showcased the unparalleled power of music."

Imelda May

The authenticity of May’s emotion, the sheer passion in her delivery, and the poignant pauses all combined to create an atmosphere that left many in the audience both moved and reflective. Through this tribute, Imelda May showcased the unparalleled power of music: its capacity to heal, stir memories, and foster deep connections.

Imelda May

Concluding this musical odyssey, it’s clear that the Cambridge Folk Festival 2023 was not merely an event on a calendar. It was a symphony of shared experiences, a journey through the rich tapestry of folk, and a celebration of stories that, though sometimes unsung, remain timeless in their beauty and resonance.

https://www.cambridgelive.org.uk/folk-festival

Words and photography Copyright of 1st 3 Magazine

Not to be reproduced, cropped or altered without prior permission.

Social media use only for persons depicted, event organisers and venue.

« Next

Monthly Archives: August 2023

Raisin Awareness – A Journey of Personal Growth

Raisin Awareness Debuts New Single and Video “No More”.

SODOMISERY – A Versatile Approach

We are living in troubled times and it is hardly surprising that this is reflected in any form of art including music.

As musical trends come and go, The Hangmen have remained uncompromising since their formation in 1986.

Blake Shelton and Gwen Stefani – Love Is Alive

Multi-award-winning artists Blake Shelton and Gwen Stefani release their rendition of The Judds’ iconic ballad ‘Love Is Alive’.

Striking Matches – A Sweet Blend

Live favourites Striking Matches are back with an intimate one-off headline show at London’s Bush Hall on Tuesday 5^th September, their first UK date in over four years. The show will also see the duo premier brand-new tracks.

American Television – It’s A War Cry

Hold onto your panties, rock rats! Dirty Dog’s slipped in with a fresh dose of chaotic goodness for ya.

Alien Gothic – A Rich and Varied Journey

Denver-based artist Alien Gothic presents their debut album ‘High and Dry’, following the lead singles ‘Shine The Lights’ and ‘In The Night’, which portrays these darklings on an existential quest.

Randall King – Baritone Trailblazer

Hereford, Texas native Randall King brings his Billboard-praised “sturdy baritone” to the forefront alongside a healthy dose of hubris and equal parts vulnerability on latest double-shot delivery: ‘The One You’re Waiting On‘ and ‘Hard To Be Humble‘.

Mindlag Project – Incoming…….

French conceptual metal band Mindlag Project released new single “Shrapnel”.

Cambridge Folk Festival 2023 (Review) – An Odyssey of Timeless Tunes and Unearthed Treasures

As the sun settled in its rightful place over the picturesque landscape, the festival grounds of Cambridge hummed with anticipation, pulsating with the haunting echoes of the hurdy gurdy.

Newsletter

Monthly Archives: August 2023

Raisin Awareness – A Journey of Personal Growth

Raisin Awareness Debuts New Single and Video “No More”.

SODOMISERY – A Versatile Approach

We are living in troubled times and it is hardly surprising that this is reflected in any form of art including music.

The Hangmen – The Real Junk

As musical trends come and go, The Hangmen have remained uncompromising since their formation in 1986.

Blake Shelton and Gwen Stefani – Love Is Alive

Multi-award-winning artists Blake Shelton and Gwen Stefani release their rendition of The Judds’ iconic ballad ‘Love Is Alive’.

Striking Matches – A Sweet Blend

Live favourites Striking Matches are back with an intimate one-off headline show at London’s Bush Hall on Tuesday 5th September, their first UK date in over four years. The show will also see the duo premier brand-new tracks.

American Television – It’s A War Cry

Hold onto your panties, rock rats! Dirty Dog’s slipped in with a fresh dose of chaotic goodness for ya.

Alien Gothic – A Rich and Varied Journey

Denver-based artist Alien Gothic presents their debut album ‘High and Dry’, following the lead singles ‘Shine The Lights’ and ‘In The Night’, which portrays these darklings on an existential quest.

Randall King – Baritone Trailblazer

Hereford, Texas native Randall King brings his Billboard-praised “sturdy baritone” to the forefront alongside a healthy dose of hubris and equal parts vulnerability on latest double-shot delivery: ‘The One You’re Waiting On‘ and ‘Hard To Be Humble‘.

Mindlag Project – Incoming…….

French conceptual metal band Mindlag Project released new single “Shrapnel”.

Cambridge Folk Festival 2023 (Review) – An Odyssey of Timeless Tunes and Unearthed Treasures

As the sun settled in its rightful place over the picturesque landscape, the festival grounds of Cambridge hummed with anticipation, pulsating with the haunting echoes of the hurdy gurdy.

Newsletter

Live favourites Striking Matches are back with an intimate one-off headline show at London’s Bush Hall on Tuesday 5^th September, their first UK date in over four years. The show will also see the duo premier brand-new tracks.