Monthly Archives: March 2025

Loose Talk signals the beginning of a new creative chapter for Bryan Ferry, blurring the lines between music, poetry and art. Fifty-three years since Roxy Music’s iconic debut album arrived like a bolt-from-the-blue, his latest project is just as startlingly unexpected. The sounds and shapes, and the spoken words they are set to, are unlike any previous Bryan Ferry album. At the same time, the mood that Loose Talk captures is rooted in Ferry’s past half-century of work.
 
Loose Talk marks the first time Ferry has created new music for another writer’s words. The album consists of eleven texts, composed by Amelia Barratt, creating fascinating micro-fictions, simultaneously fragmentary and self-contained.
 
The album balances refined minimalism and abstraction with an experimental and youthful energy. Ferry’s music and Barratt’s texts each hold their own codes. As those codes pulse as one, the album discovers its own language – two monologues begin a conversation that becomes a duet.
 
Discussing Loose Talk, Bryan Ferry said: “The whole experience of making Loose Talk has had an interesting newness about it. It seems to have opened a whole new chapter in my work. There’s a really strong mood to the work that Amelia does and I was very conscious of not getting in the way of her words. Hopefully, together, we’ve created something neither could do on our own.
 
The nearest I ever got to doing pieces like this before would maybe be back in Roxy with “In Every Dream Home A Heartache,” and “Mother Of Pearl”. To some extent, those are kind of spoken monologues. I’m pleased that when we’ve played Loose Talk to people, they’ve said, “Oh, this sounds really different.” That’s what I’ve always wanted with everything I’ve done, or been involved in, to be: different. Different to what you’ve heard before, or seen before. That’s the whole point of being an artist: trying to create a new thing, a new world.”
 
Amelia Barratt said: “Loose Talk is a conversation between two artists: a collaborative album of music by Bryan Ferry with spoken texts by me. It’s cinematic; music put to pictures.
 
There’s possibility for experimentation within a frame. And there’s a freedom in knowing exactly what my part to play is, then being able to pass a baton, stretching out creatively and knowing there is someone on the other side to take it further. Nothing feels off limits.”