Crash Harmony – Raising The Dead

Yale rock – an oxymoron too good to be dismissed, meeting as undergraduates swept up in the current of something more exciting than college – a New Haven music scene that was real. While college was for figuring out what you wanted to be, college rock was for figuring out what you wanted to sound like. Crash Harmony was absorbing everything, and trying it all on for size at house parties, frat houses, and clubs throughout New England.

Nevermind, doesn’t matter, band over. Life happens. Real jobs, other bands. Dave went on to The Dambuilders (and then Gramercy Arms), Mike served on The Anderson Council, Jon left for Europe, and Nils wandered north. But no matter where they went, Crash Harmony still kind of mattered. Eventually, they had to come back. They had to return to that place so, decades later, Crash Harmony reformed to make a new record of old songs – a rock-and-roll reenactment of the New Haven scene that changed them forever.

Like their name, the record is an orchestrated pileup of long-ago influences that collided in the chambers of their broken young hearts and have again wriggled free from their throats and amps, pop gems humming like cicadas and dancing for the pure joy of being alive again.

“Dave and I initially bonded over anglophilia, including a shared love of The Jam, cockney slang and alcohol. I came out of the New Hampshire punk scene and was a founding member of Five Balls of Power (other members went on to join such bands as Dropkick Murphys, Scissorfight and the Radicts). Dave and Nils both were willing to play around with different styles and a level of musicianship that was a notch above the average college band,” says Jon Nighswander.

Dave Derby adds, “Nils and I had been in a successful indie pop band. I wanted to create something that was both heavier and more psychedelic in that 80s college radio Paisley Underground sort of way, but then we recalibrated towards more of a 70s vibe. We tried really early on to align ourselves with the New Haven scene and not just the Yale one.”

For Crash Harmony, it’s all so clear now – how lucky they were to have been part of a scene and to have met and grown up in ideal conditions to make music that would somehow find a way to live forever… Everybody, kiss your ghost.

‘Velour Goddess’ is available everywhere digitally, including Apple Music, Spotify and Bandcamp, where the ‘No One Asked for This’ album is also available for pre-order. Out October 18, it will be released both digitally and on vinyl via the Magic Door Record Label.