Diamond-certified songwriter Chase Rice debuts his highly anticipated independent album, Go Down Singinâ.a reflective 11-song collection that captures the raw, unvarnished truth of his personal journey.
The release marks a continuation of Riceâs creative evolution that began with last yearâs critically acclaimed I Hate Cowboys & All Dogs Go To Hell, an album celebrated by Billboard as âone of 2023âs most unexpected artistic pivotsâ and one of the best of the year across all genres. Listen to Go Down Singinâ HERE.
“Itâs my first release in over 10 years as a fully independent artist,â notes Rice. âAll we thought about when making this music was âhow do we put the very best songs that Iâve got on one album?â No thoughts of whatâs popular right now, or what will work blow up or go viral, simply âwho am I and what am I best at?â Itâs got songs about the music industry and what it can do to your soul; itâs got love lost songs; itâs got a song about my dad once again; itâs even got a murder song that might be my favorite song on the album. I hope you guys love this as much as I loved making it.â
Mirroring the cover art of the critically acclaimed I Hate Cowboys album, which features an image of his late father holding two Coors Banquets during the late â80s in Wyoming, Rice recreated that photo himself for Go Down Singinâ as he continues to honor the man who not only served as his childhood hero, but who also still shapes his music and the person he is today. That tribute is especially poignant with the release of the forthcoming official music video for album track âYou In â85,â which features home footage of Rice and his late father.
âIâve always written songs like these but was never inspired enough to put them out,â he shared with the Tennessean. âNow I’m at a place where records I wasnât inspired to let see the light of day define my career. Come hell or high water, this is the kind of music that I now make. For the first time in my career, people are buying into me more than drinking beers and enjoying the vibes Iâm singing about.â
âMaturity and clarity are the reality on Chase Riceâs new album, Go Down Singinâ,â declares Cowboys & Indians of the honest and vulnerable project, continuing, âEven though Rice launched his singer-songwriter career as a bro-country prodigy in 2011 when he penned âCruiseâ with Florida Georgia Line, that isnât who Rice is. Itâs who he was. Nowadays, Chase Rice is the seasoned artist behind what is sure to be one of 2024âs most well-received country albums of the year.â
âStripping back to raw, acoustic elements, the album presents an authentic and deeply personal exploration of Riceâs life, career, and the emotional experiences that come with it,â adds Entertainment Focus. âBlending folk, country, and rock influences, Rice crafts songs that are both musically diverse and lyrically profound… From soulful acoustic ballads to anthemic rockers, each track tells a story, offering listeners a raw and heartfelt glimpse into Riceâs world. With its blend of introspection, nostalgia, and storytelling, this album solidifies Chase Riceâs growing reputation as a nuanced and mature voice in country music.â
As made evident by that introspective approach taken with the new music, Rice recognizes that life has to happen before you can really understand it. Playing football, getting hurt; NASCAR pit crews, moving on. Being swept up in a dream, hit singles, massive tours, stalling momentum. Growing up a good kid, but never quite becoming a man â and then suddenly the man you look up to the most is gone.Â
Marveling at being a work-in-progress, he considers the 11-song cycle an arrival on the brink of âbeing the man my father always believed I could be.â He also knows that in the end, the things that matter about what you love have little to do with fame or money. Like every great athlete, itâs about the heart: how hard it beats, how deep it reaches into whatever it is. Now, after what seems like so many chances, the Florida-born, North Carolina-raised dreamer is making good on what his father told him so many years ago, âBoy, anyone can play guitar, but no one is gonna really listen to you until you start singing.â
And writing. Though he co-wrote âCruise,â arguably one of countryâs biggest songs this century, Rice realized heâd only been skimming the surface. With Go Down Singinâ Rice emerges as a spirit settling into a more philosophical place yet still wildly committed to living wide open in pursuit of his dream and being the best man possible. Whether measuring the pitfalls and triumphs on the lean fiddleânâharmony assessment of âOh Tennessee,â the cascading acoustic guitar passage of simple wisdom from father to son in âNumbers,â or the smoky looking back at first loves in âLittle Red Race Car,â thereâs a knowing appreciation for how he got here.
In a voice sturdy as a retaining wall, Rice confesses, âIâm 39 now, and thatâs part of it. Iâve journaled since I was 15 years old, but thereâs something about being able to tell other people. Iâm a deep person, but I donât know to show it in real life, so Iâm trying to do it in my music.
âFor me, Go Down Singinâ is everything about where I am and what I want. Iâm starting to see myself as who I want to be, not who I thought I should be. Thatâs a good start. And I think a lot of men struggle with this stuff, too.â
Getting honest, digging down, Rice shifted his approach. Working with Oscar Charles (Boy Named Banjo, Madeline Edwards, Elvie Shane), the pair worked to create a sound that was as honest, as real instrument grounded as the songs that were emerging. Written largely on guitars and piano, Go Down Singinâ shows a man reckoning with growing up.
âFor one record, I thought I was Ed Sheeran. For one, I thought I was Florida Georgia Line,â he offers. âI was 22. I got into the party scene, I got lost. I didnât know. I was very influenced by Eric Church, and wanted to be like him, though mostly, I was just so confused. You fall into things, being in the studio, and you look backâŠâ
Now when Rice looks back, itâs for the sake of the songs. Reckoning with where he is, thereâs a reflective sensibility that tempers the life rising and falling âThat Word Donât Work No More,â the honesty of âIf Drinkinâ Helped,â and especially, âYou In â85,â which sifts through memories of his father.
âThat started as such a sad vocal. Oscar came in, started talking to me about what the song meant,â he begins. âI realized: this is a celebration and an opportunity. If you could sit down as a man now, have that one conversation with your father and say all the things⊠It shifted everything about who I am, and reminded me of all the small things that matter.â He acknowledges, âIâm becoming the man he knew that I could be. Iâm not there yet, but Iâm getting there, getting to be someone my family can be proud of.â
As a writing process, âThat Word Donât Work No More,â âIf Drinkinâ Helped,â âYou In â85â and âOh Tennesseeâ mark a creative â if seemingly unlikely â collaboration with three-time Grammy winner Lori McKenna, who is also featured on âThat Word.â Known for vulnerable but clear-eyed emotion, the Americana force came to see Rice play in Boston and recognized the wounding and the promise inside him.
âI wanted to bring her âOh Tennessee,â because it was the story of moving to Nashville, getting anything you wanted and losing it all,â he recalls. âI knew she would understand, and from there, well, we had so much to say.â
Getting beneath the surface took hold. Even on fun songs like âLittle Red Race Car,â the desire of burning through the mundane in âFireside,â or the spoken voice-noted homage to fellowship, black dogs and tradition âArkansas,â thereâs a sense of detail and purpose that gets beyond slinging hooks. âYou realize, even in a song like âArkansas,â youâre talking more about life than killing ducks; youâre talking about dogs and whatâs going on. Itâs so much more.â
And itâs also country music traditions. Like âHaw River,â a classic murder ballad based on avenging the children a bad preacher took advantage of. âWe were in Wilmington, North Carolina, and there were four girls by the bus. One said, âIâm Kayla from Haw River,â and my ears just went up. Blake said, âWe should make that a murder balladâŠ,â and we were off. Between the series â1923,â about those priests beating up and raping Native American girls, and our imaginations, it got pretty dark.â
It also gets pretty light. âHey God Itâs Me Again,â a stately shuffle, takes stock of where he is, where heâs going and what really matters. Beyond taking stock, itâs as much a song of gratitude as it is begging for help, an ask for clarity and a place to go to feel connected.
âThereâs a little bit of âHere I am againâŠâ for sure,â allows the man whoâs had three No. 1s, his own sold-out tours and key stadium support slots with Garth Brooks and Kenny Chesney. âBut Iâm trying⊠I was a lost kid who lost his Dad. Iâm not alone. I know lots of people struggle, too. The last record dealt with that loss, and this one is about taking all that and becoming who youâre meant to be. I wrote âHey Godâ with Randy Montana and Cory Crowder, and I remember saying, âI donât want to write with a track, I just want to write with guitars today. I knew: this needed to be absolutely real.â
Go Down Singinâ Track List:
1. Go Down SinginâÂ
(Chase Rice, Blake Pendergrass)
2. Fireside
(Chase Rice, Jackson Dean, Jonathan Sherwood, Oscar Charles)
3. That Word Donât Work No More feat. Lori McKenna
(Chase Rice, Lori McKenna, Oscar Charles)
4. Hey God Itâs Me Again
(Chase Rice, Corey Crowder, Randy Montana)
5. Oh Tennessee
(Chase Rice, Lori McKenna, Oscar Charles)
6. Haw River
(Chase Rice, Blake Pendergrass)
7. Arkansas
(Chase Rice, Rob Baird)
8. Numbers
(Chase Rice, Jeff Hyde, Ryan Tyndell)
9. If Drinkinâ Helped
(Chase Rice, Lori McKenna, Oscar Charles)
10. Little Red Race Car
(Chase Rice, Jackson Nance, Heath Warren)
11. You In â85
(Chase Rice, Lori McKenna, Oscar Charles)
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