Taken from her Bound To Me EP that was released in 2023, âNomadâ is powered by a thunderous rhythm section and a lower-octaved keyboard that allows CrowJaneâs piercing and ethereal vocals to weave in and out of the rhythmic dirge, capturing the elegiac aura of post-punk artists Xmal Deutschland and March Violets before her.
âThe song âNomadâ in a nutshell is about war, the ceaseless spilling of blood, and the aftermath,â she explains. âThe chorus has a kind of hopeful tune in the mix of grim verses, talking about the rise of a new dawn when the killings are over. I was also thinking about climate change and referring to the planet as a malignant sphere and asking myself, âIs the end near?â If the universe doesnât kill off humanity, maybe we will just cause our own extinction.â
âWe went running around the castle trying to get as much footage as we could while we had the time off to do so,â says CrowJane (real name: Heather Galipo) about her new atmospheric and foreboding video âNomadâ.
The video was filmed at a European castle where Heather had been working on a film (her day job is working as a cinematic make-up artist whose credits include The Last of Us: Part II, Guardians Of The Galaxy Vol.3, and American Horror Stories among many others). Capturing the dark and somber tone that the song itself embraces, she and the film crew created a video that hearkens the atmospherics of F.W. Murnauâs 1922 classic Nosferatu and Arthur Lubinâs The Phantom of the Opera (1943). âAt the end of last year, I was working on a psychological thriller movie in a chateau in Northern France,â she recalls. âThe crew and I were listening to my EP Bound To Me and the drone/camera operator Brendan OâNeal and with some other crew, suggested shooting some music video footage at this amazing castle we were all living in. We agreed that the song âNomadâ was the most fitting for the location.â
Coming from a visual art background of surrealism and horror, she has simultaneously built a career as a professional horror effects makeup artist and a recording artist. This unlikely background helped foster an outsider musical sensibility that is perfectly balanced by a comprehensive knowledge of the byways and back roads of punk and death rock, both historic and in LAâs contemporary underground music scene, of which her bands Egrets on Ergot, Prissy Whip and The Deadbeats have been an integral component for the past decade.
Her EP Bound To Me is a five-track deep dive into the mindset of CrowJane, embracing Darkwave, Goth, Tribal, Synthpop and Postpunk, providing a stylistic link to her critically-hailed debut album Mater Delarosa. With its subterranean dance music footsteps, the EP boasts other tracks like âButterflies,â setting the minor chord stage that CrowJane dances on. The Janes Addiction-rave up of âIdes of Marchâ chimes in guitar textures while her layered vocals recall Perry Farrellâs high-registered howls. The atmospheric closer âBroken Angelâ has a cathedral-esque expansiveness that recalls early 4AD.
âNomadâ is taken from CrowJaneâs EP Bound To Me, which was released in 2023 via Kitten Robot and produced by Paul Roessler (TSOL, The Screamers, Nina Hagan).
TOUR DATES:
July 16 Bellingham, WA The Shakedown
July 19 Vancouver, Canada KW Studios
July 21 Moscow, ID The Grange
July 22 Salt Lake City, Utah International
July 23 Vegas, NV Sin Wave
July 24 Phoenix, AZ Gracieâs Tax Bar
July 29 Long Beach, CA Supply and Demand